January 25th 2020


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Articles from this issue:

COVER STORY Wildfires: Lessons from the past not yet learnt

EDITORIAL America 'resets' foreign policy on China and Russia

CANBERRA OBSERVED After the fires, we still need an economy and to power it

GENDER POLITICS In trans Newspeak, parental consent is a 'hurdle'

REFLECTION Conjugal honour: Love of husband and wife joined together in pure intimacy

LIFE ISSUES Pro-lifers punished for exposing baby harvesting

LAW AND SOCIETY Cardinal Pell and the Appeal Court judges

LITERATURE AND SOCIETY The poetry of Distributism

AUSTRALIAN HISTORY Botany Bay: Always more than a dumping ground

INTERNATIONAL AFFAIRS Finally getting Brexit done

HUMOUR The MacStuttles probe

MUSIC From retch to wretched

CINEMA Three times the bravura: 1917, The Gentlemen, Shaun the Sheep: Farmageddon

BOOK REVIEW The contradictions of the dominant ideology

BOOK REVIEW Novel celebrates inventor of literary fairytales

POETRY

LETTERS

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FREUD:
The Making of an Illusion

Frederick Crews

$54.99


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About the book

From the master of Freud debunkers, the book that definitively puts an end to the myth of psychoanalysis and its creator.

Sigmund Freud is one of the most influential figures of Western society. His ideas transformed the way that we think about our minds, our selves and even our thoughts. But while he was undeniably a visionary thinker, Freud’s legend was also the work of years of careful mythologising, and a fierce refusal to accept criticism or scrutiny of his often unprincipled methods.

In Freud: The Making of an Illusion, Frederick Crews dismantles Freud’s totemic reputation brick by brick. Looking at recently revealed correspondence, he examines Freud’s own personality, his selfishness, competitiveness and willingness to cut corners and exploit weaknesses to get his own way. He explores Freud’s whole-hearted embracing of cocaine as a therapeutic tool, and the role it played in his own career. And he interrogates Freud’s intellectual legacy, exposing how many of his ideas and conclusions were purely speculative, or taken wholesale from others.

As acidic as it is authoritative, this critique of the man behind the legend is compulsory reading for anyone interested in Freudianism.

 

About the author

Frederick Crews is an essayist and literary critic. Professor Emeritus of English at the University of California, Berkeley, Crews is the author of books on Henry James, E. M. Forster and Nathaniel Hawthorne, and Postmodern Pooh, a book of satirical essays parodying contemporary criticism (Profile). Crews has written a number of essays, book reviews and commentaries for the New York Review of Books, on topics including Freud.


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