December 14th 2019


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Articles from this issue:

COVER STORY A myriad transformations effected by one birth

VICTORIAN POLITICS Andrews hacks away at another way of life and source of jobs

CANBERRA OBSERVED Labor must own up to why it took the thrashing it got

FOREIGN AFFAIRS Hong Kong voters reject Beijing and its proxies

LIFE AND FAMILY On the 30th anniversary of the Convention on the Rights of the Child, how are we doing?

INTERNATIONAL AFFAIRS Brexit: Quintessentially British party politics

OBITUARY Fr Paul Stenhouse: The thoughtful editor for the 'ordinary' reader

OBITUARY Vale David Milne, paragon of loyalty and perseverance

ASIAN AFFAIRS Taiwan and Hong Kong: Pawns in a bigger game

U.S.-CHINA RELATIONS How and why the U.S. should stop financing China's bad actors

HUMOUR You can't stop the music, Paddy

MUSIC 2020 foresight: A musical odyssey

CLASSIC CINEMA North by Northwest: The immaculately produced nightmare

BOOK REVIEW Truncated truths for post-truth times

BOOK REVIEW Food for a summer immersion program

POETRY

LETTERS

Books promotion page

1966:
The Year the Decade Exploded

Jon Savage

$49.99


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Book description

The pop world accelerated and broke through the sound barrier in 1966. In America, in London, in Amsterdam, in Paris, revolutionary ideas slow-cooking since the late '50s reached boiling point. In the worlds of pop, pop art, fashion and radical politics — often fueled by perception-enhancing substances and literature — the “Sixties”, as we have come to know them, hit their modernist peak. A unique chemistry of ideas, substances, freedom of expression and dialogue across pop cultural continents created a landscape of immense and eventually shattering creativity. After 1966 nothing in the pop world would ever be the same. The seven-inch single outsold the long-player for the final time. It was the year in which the everlasting and transient pop moment would burst forth in its most articulate, instinctive and radical way.

Jon Savage's 1966 is a monument to the year that shaped the pop future of the balance of the century. Exploring canonical artists like the Beatles, the Byrds, Velvet Underground, the Who and the Kinks, 1966 also goes much deeper into the social and cultural heart of the decade through unique archival primary sources.

About the author

Jon Savage is the author of England's Dreaming: Sex pistols and Punk Rock and Teenage: The Creation of Youth, 1875–1945. He has written sleeves notes for Wire, St Etienne and the Pet Shop Boys, among others.


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