July 27th 2019


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Articles from this issue:

COVER STORY Fixing Australia: Can we trust the Morrison Government?

ENERGY Yallourn early closure more than a mere challenge, Mr Premier

CANBERRA OBSERVED Can Labor learn a lesson or is it unredeemable?

NATIONAL AFFAIRS High power prices lead to more deaths of elderly

GENDER POLITICS Catholic Ed's document strong on doctrine, weak on protocols

ENERGY Renewables do push up power price: Chicago economists

OBITUARY The eminence of Dr Joe Santamaria

HISTORY OF SCIENCE Faith and reason and Father Stanley Jaki, Part 6: Medieval Christendom sparks a revolution

ENVIRONMENT As many Pacific islands are rising as are sinking

ASIAN AFFAIRS Uyghurs lose in ethnic power play

POETRY AND HISTORY The epic of the White Horse

HUMOUR On patrol with Father Bruce

MUSIC Joao Gilberto: Carrier of melodies

CINEMA Crawl: Toothful entertainment

BOOK REVIEW America's postwar boom and its end

BOOK REVIEW The story of the drafting of a great document

BOOK REVIEW The facts behind an undying distortion

LETTERS

POETRY

Books promotion page

CITIZEN HOLLYWOOD:
How the Collaboration Between LA and DC Revolutionized American Politics

Timothy Stanley

$53.95


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by Timothy Stanley

(New York: Thomas Dunne Books, 2014)
Hardcover: 320 pages
ISBN: 9781250032492
Price: AUD$53.95

 

Book description

To most Americans, Hollywood activism consists of self-obsessed movie stars promoting their pet causes, whether defending marijuana legalization or Second Amendment rights. There’s some truth in that stereotype, and in this book you’ll find the close personal friends of Fidel Castro, the wannabe cowboys, and the ever-ubiquitous Barbra Streisand. But Citizen Hollywood makes a far more serious case — that Hollywood’s influence in Washington runs deeper and affects the country’s government more than most of us imagine.

Celebrity activism exerts a subtle power over the American political process, and that pressure is nothing new. Through money, networking, and image making, the movie industry has shaped the way that politics works for nearly a century. It has helped to forge a culture that is obsessed with celebrity and spectacle.

In return, politicians have become part of the fabric of Hollywood society and cater to the wishes of their new-found friends and fund-raisers.

Using original archival research and exclusive interviews with stars, directors, producers, and politicians from both parties, Timothy Stanley’s Citizen Hollywood shows that the only way to understand the image-obsessed, volatile politics of modern America is to understand the hidden history of Hollywood’s influence on Washington.

 

About the author

Timothy Stanley graduated with a PhD in history from Cambridge University and has spent time as a research fellow at Harvard and Oxford. The author of two books, Kennedy vs. Carter and The Crusader, and co-editor of Making Sense of American Liberalism, he has written political commentary for the National Review Online, The Atlantic, Dissent Magazine, the New Republic, and CNN.com, and is a columnist for the Daily Telegraph (UK).

 

What the critics say

“Citizen Hollywood is a very good read and digs quite deep, with sharp cultural and political analysis and relevant interviews. Stanley provides texture and depth on the nexus of Hollywood entertainment and Washington politics, both conservative and liberal, and offers a sobering critique of the president as ‘leading man.’” — Brian Neve, author of Film and Politics in America.

“Tempered by a soupçon of cynicism and delivered with more than a dollop of snark, Stanley’s inquiry reveals both how our politicians have become carefully packaged products and the depth of Hollywood’s impact upon democracy.” — Booklist.

“Smart and far-ranging.... Stanley’s book is witty and entertaining, and does a thorough job of illustrating the ways in which Hollywood works Washington, the ways Washington works Hollywood, and the ways both are subject to the surprisingly unpredictable whims of the American public. ... One of the strengths of Stanley’s book is that he takes a critical and unconvinced look at the current vogue among conservatives to blame the ‘liberal media’ or ‘Hollywood values’ for the things that plague us.” — National Review


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